Editing portfolio
Editing is where I first found my rhythm — the invisible pulse that shapes every story. As an editor, I work with precision, intuition, and a deep respect for pacing and emotion. Whether it’s a film, a documentary, a TV show, or digital content, I approach each project with the same care: listening to what the footage wants to say and sculpting it into something that breathes. For me, editing isn’t just post-production — it’s storytelling at its most essential. This portfolio brings together some of the projects I’ve helped shape, frame by frame.
These are the major professional projects that have truly shaped my career and refined my skills. Of course, along the way, I’ve also worked on countless smaller-scale projects — from YouTube and TikTok videos to Instagram content and other digital formats. However, I haven’t included all of them here, simply because many were posted without consistent tracking or clear credit.
For a curated selection of my work — including those I could trace and showcase — feel free to explore my Behance Portfolio .
And for the key highlights that marked turning points in my journey, just scroll down.
Podcasts
With the rapid rise of podcasts on YouTube, I strategically expanded my services into long-form podcast production. Since June 2025, I have been collaborating with Shawn Lynch on The Success Formula Podcast, contributing as both video editor and sound mixer. My role covers the full post-production workflow, including dynamic editing, precise color correction, and professional sound mixing to ensure a clean, engaging, and high-quality viewing experience. This ongoing collaboration reflects a commitment to consistency, efficiency, and audience retention—key elements in building a successful and scalable podcast presence on YouTube.
TV Shows
I entered the world of television in 2023 as an intern, editing cooking shows. At first, it was a learning experience — but everything changed the moment I saw my first edited episodes broadcast on TV. That moment revealed to me the true power of film editing: its ability to shape meaning, craft narrative, and create rhythm, even from raw or unscripted material. I understood then that editing isn’t just about assembling footage — it’s about storytelling, even when the story hasn’t been fully written or filmed. It’s about creating impact from the invisible.
Accident (Nessma Ramadan 2026
During "Accident", broadcast on Nessma TV in Ramadan 2026, I contributed as an assistant editor within a fast-paced post-production workflow. My role focused on organizing and syncing multi-camera footage, preparing timelines for lead editors, managing media assets, and ensuring continuity across episodes under tight deadlines. This experience strengthened my ability to operate efficiently in high-pressure television environments while maintaining precision in narrative flow and technical execution.
Rihet Lebled
Presented By :
Mariem Ben Hussein
In 2024, I edited the entire fourth season of Rihet Lebled, a cultural travel show presented by Mariem Ben Hussein. The show takes viewers on a journey across Tunisia, with each episode dedicated to a specific region — exploring its landscapes, traditions, history, and spirit. My role as editor was to shape the visual storytelling of the show, weaving together poetic voiceovers, interviews, and cinematic footage to create a rich and immersive experience. It was a project that deepened my connection to Tunisia’s diverse identity and challenged me to balance documentary structure with artistic sensitivity.
Nessma TV 2024
Chef Extreme
Samira TV 2025
During Ramadan 2025, I was invited to join the editing team of Chef Extrême, a major Franco-Algerian production by Samira TV. The show is a high-intensity competition series featuring 16 contestants facing off in a mix of survival, cooking, and extreme challenges — all filmed across various regions of Algeria. It was by far the most technically demanding project I’ve worked on. With dozens of cameras, GoPros mounted on contestants, and countless audio sources, the process of syncing, organizing, and shaping the footage into coherent, engaging episodes was a true test of endurance and skill. My role involved editing 12 out of the 36 episodes, and it pushed me to a new level — not just technically, but creatively. This experience sharpened my sense of narrative structure, pacing, and the complex interplay between interviews and real-time action.
Samira Tv Ramadhan 2025
Films
I’ve always been drawn to the silent language of editing — the space where images collide, time bends, and meaning is born. I started by editing friends’ school films, then moved on to my own, gradually developing not just technical skills, but a deeper intuition for storytelling. Over time, I discovered that editing isn’t just about rhythm or continuity — it’s about sculpting emotion, building inner tension, and allowing hidden layers to emerge. I’m passionate about making each cut speak, about finding that unique combination of two images that can unlock a world of symbols, echoes, and cinematic truth.
Aveux d'un inspecteur (2021)
Director : Haithem Ben Hmida
Nesyen (2022)
Director : Hamda Dhaouadi
